Robot 2.0 (2018) Hindi Full Movie Download Free

Robot 2.0

After mobiles begin mysteriously flying out of the arms of human beings in Chennai, Dr Vaseegaran summons his depended on robotic Chitti to keep off the bird-formed supernatural powers of Pakshirajan.

Director: S. Shankar

Subtitles: None available

Language: Hindi

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Robot 2.0 is a 2018 Indian Tamil-language technological know-how fiction motion movie directed via way of means of S. Shankar who co-wrote the movie with B. Jeyamohan and Madhan Karky. Produced via way of means of Subaskaran below the banner of Lyca Productions. As the second one instalment withinside the Enthiran franchise, 2.0 is a standalone sequel to Enthiran (2010), proposing Rajinikanth reprising the jobs of Vaseegaran and Chitti the Robot, along Akshay Kumar as Pakshi Rajan and Amy Jackson as Nila. additionally Sudhanshu Pandey, Adil Hussain, Kalabhavan Shajohn, and K. Ganesh seem in helping roles.

The soundtrack consists via way of means of A. R. Rahman, with lyrics written via way of means of Madhan Karky and Na. Muthukumar. The movie follows the warfare among Chitti, the as soon as dismantled humanoid robot, and Pakshi Rajan, a former ornithologist who seeks vengeance upon mobileular telecellsmartphone customers to save you avian populace decline. Produced on an envisioned price range of ₹540—six hundred crore, 2.0 is one of the maximum steeply-priced Indian movies ever made. Production started in 2015, with fundamental images carried out at AVM Studios later that year. The first agenda became filmed at EVP World. Scenes have been by and large shot in India, specifically in Chennai's Madras Boat Club and Delhi's Jawaharlal Nehru Stadium. Filming became finished via way of means of August 2017. The movie is the primary in Indian cinema to be natively shot in three-D, which became finished via way of means of cinematographer Nirav Shah.

The movie became by and large shot in Tamil whilst Akshay Kumar and a few actors' dialogues have been shot in Hindi. Legacy Effects made their go back to assemble prosthetic make-up and animatronics, with visible outcomes supervised via way of means of V. Srinivas Mohan. Editing became dealt with via way of means of Anthony and manufacturing layout became carried out via way of means of T. Muthuraj. 2.0 became launched global in each three-D and traditional layout on 29 November 2018, along side its Hindi and Telugu dubbed version. It obtained in general wonderful reviews, with reward directed closer to the movie's storyline, direction, performances of Rajinikanth and Akshay Kumar, visible outcomes, motion sequences, soundtrack and social message, despite the fact that the screenplay obtained a few criticism. The film earned ₹117.34 crore (US$15 million) global on its first day, which became the fourth-maximum ever for an Indian movie.

The movie crossed ₹520 crore (equal to ₹591 crore or US$seventy four million in 2020) in its beginning weekend to be the maximum-grossing movie global for that week and the global series became around ₹800 crore after stop of 4 weeks . 2.0 is the 6th maximum-grossing movie in India and is the 8th maximum-grossing Indian movie global.

"2.0" is one in every of handiest 3 2018 movies to be shot in 3-D (the others being Russian fable sequel "Viy 2" and the James-Cameron-produced/Robert-Rodriguez-helmed "Alita: Battle Angel"). "2.0" is likewise a superhero movie approximately weather alternate, the risks of mobileular telecellsmartphone use (in step with the movie, they were connected to abortions?), and political corruption.

Rajinikanth performs robotics scientist Dr. Vaseegaran, a sagacious egghead who revives his Astro-Boy-like advent Chitti (additionally Rajinkanth), the titular robotic, simply so Chitti can combat a sentient tsunami of mobileular telephones that on occasion takes the form of a kaiju-sized hen of prey way to the animating spirit of a pissed-off weather-alternate activist Pakshi Rajan (Akshay Kumar, who is, as always, down for whatever) who hung himself from a mobileular telecellsmartphone tower and, withinside the process, have become a hen-man-god aspect. Also, Chitti allows to mobilize an military of robotic clones—a few the dimensions of mobileular telephones—with the intention to hearthplace weapons and make hilariously grim threats to Kumar's hen villain.

Roll over, Sylvester Stallone: there may be a brand new elder statesman of Not Aging Gracefully But Still Somehow Making it Work, and his call is (still) Rajinikanth. Not quite a few this gonzo situation at once makes sense, however it's ok: "2.0" is all approximately electricity, so you will realize whether or not or now no longer you will love this movie inside mins of looking it. Still, top electricity is likewise actually (and now no longer coincidentally) what "2.0" is approximately. A mysterious animating pressure takes manage of India's mobileular telephones, ripping them out in their dumb-based customers' palms and forming an animated, on occasion-tweeting, on occasion-humming virtual cloud. Vaseegaran is referred to as directly to assist restore this bizzaro situation, however for a even as, "2.0" is extra approximately the Cell Phone Cloud, which we are able to later examine is an tool of Rajan's revenge—FROM BEYOND THE GRAVE.

Vaseegaran even supplies an illustrated speech afterward that explains how Rajan controlled to apply his very powerful, very evil air of secrecy to show an entire country’s mobileular telephones towards them. Thankfully, the handiest aspect which can suit Kumar's crazy-excessive electricity—he devours nearly each scene he is in, on occasion even as carrying a massive ol' hen costume—is Rajinikanth, Rajinikanth, and extra Rajinikanth. No, seriously, there may be quite a few Rajinikanth in “2.0.” The marquee-topping big name might also additionally pull a Stallone and make (a few) room for co-stars Kumar and Amy Jackson, the latter of whom performs Nilla, a horny girl robotic who cracks clever and on occasion seems to permit Chitti shop the day.

But seriously, there may be a LOT of Rajinikanth in "2.0," like how Vaseegaran on occasion punctuates declamatory mind through yelling "DOT" (every other manner of saying "Period") in addition to the hectoring however weirdly affecting tone of any scene wherein Kumar's individual laments that birds are being inadvertently killed through mobileular telecellsmartphone radiation simply due to the fact mobileular telecellsmartphone customers are lethally apathetic ("Every person who owns a mobileular telecellsmartphone is a murderer").

There's additionally actually quite a few Rajinikanth in "2.0": hundreds of Chitti's robotic clones swarm the Rajan-managed mobileular telecellsmartphone horde, the latter of which seems shockingly ferocious in top-/expensive-searching set pieces. An military of mini-Rajinikanth robots sing a number of the goofiest normcore 2018 disses you will listen this facet of the brand new Eminem album (my favored of Chitti’s boasts: "I am six toes tall/you're a radish, this is all"). But handiest after loads of man-sized Rajinikanth robotic clones shape a massive football ball, and hearthplace a barrage of automatic rifles on the Big Cell Phone Bird (and into the stands of a big football stadium, on occasion slightly lacking harmless bystanders). This ultimate stunt is essentially a repeat of a scene from the first “Robot” film, however that does not make it, or the numerous different methods that Rajinikanth knowingly weaponizes his ego a great deal much less endearing or insane.

At one point, Rajinikanth actually pats himself at the again whilst Chitti thank you Vaseegaran for developing him. This film has chutzpah for days! I can not lie: I've were given Rajinikanth fever, and it is thank you in no small component to the rowdy crowd of Indian movie buffs that stuffed ultimate night time's late-night time (9:30 pm), authentic language (Tamil), starting night time screening of "Robot 2.0." They roared each time Rajinikanth did something funny, vaguely boastful, or flat-out crazy, like whilst he—as Chitti, carrying a silver lamé suit, curler skates, and the sort of clunky sun shades that went inside and outside of fashion again whilst the authentic "V" turned into in the beginning at the air—receives attacked through a massive robotic-hen monster.

Some moviegoers were, uh, skeptical, so that they talked again to the screen (aleven though frequently in hilarious methods befitting of a forty second Street screening). But even the maximum skeptical moviegoers sang alongside and shouted luckily at nearly each movement beat. Me too: towards all reason—towards all not unusualplace sense—“2.0" works, and in a massive, massive manner.

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